- Avatar was a radio trailer I found useful to help me with the layout of my radio trailer. I was originally unaware of how to create a radio trailer that would sound movie star quality. Even though Avatar isn't the same genre as ours it still really gave me an idea of how a radio trailer should be structured and what to include.
- Avatar differs from our short film as ours is a tension builder whereas Avatar doesn't have any climactic points so our short film entices the audience from beginning to end.
- As avatar is a recent film I found it important to follow its codes and conventions as it meets everything in order to be a successful film.
- This radio trailer is rather old yet is the same genre as our short film so it is helpful to see how to build tension in a matter of minutes.
- I liked the repetition of "Damien" throughout. I tried to figure out how I would be able to create tension in my radio trailer as there was nothing I could really repeat.
- I liked the use of the music and felt my radio trailer would benefit with some gripping music also.
- It is structured really well and that is one of the main reasons I followed this example. I found my short film is similar to this radio trailer as I structured it the quite the same and I feel I succeeded in building the tension.
- What I decided to do was create a silent moment on the word "AWAY" it figured it created tension just as much as this one does with the repetition of "Damien".
- This is my finished radio trailer and I used the two radio trailers above to help me on structure and plan on what I was going to include.
- My chosen music I figured would enhance the creepiness to my short film and I made sure it didn't overpower the speech as my first attempt didn't create the effect I wanted.
- The scenes I decided on I felt were appropriate as they fit well with my choice to talk about the women's perspective. I took a part of the receiving flowers clip from Final Cut Pro and put it onto garageband.
- I decided my poster and radio trailer was going to be based from the women's perspective so I asked one of my peers to narrate my radio trailer. Her voice fit perfectly with the genre of the short film as she has a calm yet dark tone to her voice.
- I chose some background music from garageband and it fits perfectly with the style of my radio trailer. It gives it a creepy feel and automatically reinforces the chosen genre.
- I picked out snippets of the film to include in my radio trailer. I felt they best fit with my focus on the women's side of the film. As an example; I included Sarah Foster receiving gifts which didn't give the twist ending away yet it showed the film from the other perspective.
- In order to give a frightening effect, I cut the background music when Natalia (narrator) says the word "AWAY" it is silent. I felt it made the radio trailer unique from other short films but I tried to give it a high standard quality and create affect. Also the silence of the word reinforces the title and creates tension, therefore enticing the audience.
- I have a background sound of a road when I have included the flowers delivery scene. It created the reality of it and made the radio trailer clear as I wanted to include the most vital parts.
- I decided on it "now showing in selected cinemas" as it is a short film and I would want it to be promoted through the cinemas then in the near future it would be available on the internet via youtube.
Poster research
Originally I had no idea how I was going to begin drafting my poster. I knew I had to make it creepy and dark, but I had no initial ideas on how to create that. I then figured I should look at other, well-known films related to our psychological thriller genre. I found 'Shutter Island' included all the conventions in order to make a high quality poster. I wanted to create a dark style poster but with a dominant image similar to this one.
I found it difficult to create a poster that wouldn't give too much away and meet our target audience. At the beginning of the planning I was going to use a different image. The image of the stalker, but I felt I wanted to portray my work through the womans perspective.
This poster was what helped me make my decision on having a landscape poster. I wanted it to be eye-catching and the image from our short film I wanted to use would not have benefitted the scary, gloomy style.
This is my final poster which I tried my hardest to include all the codes and conventions of a psychological thriller poster. I ensured I didn't give too much away yet enticed the audience enough to want to see the film. I wouldn't have been able to create my poster without researching into what is expected to be included.
The tagline i fitted perfectly under the title "AWAY" I wanted the letter "W" to almost point down to the tagline. I thought this would make my poster grab your eye and be quite unique. I found AIDA useful (Attention, Interest, Desire, Action) this helped me to ensure I chose an enticing image, bold text to convey the vital ingredients of the film.
Film analysis
In the film we see a key different in both characters that myself and Adam took on. We wanted to portray the binary opposites through use of low key lighting when the stalker was present on the screen, and high key lighting when Sarah was shown. We needed to ensure there was a clear change when each character was shown otherwise it would not be a well structured narrative to the audience. In relation to Nick Lacey's schema of genre it was vital we included specific character roles, sounds and music that were relevant with the narrative for example; the owl sound to show passage of time. Also we ensured that through visual techniques we showed the stalker watching Sarah. We did this through framework to get across that Sarah was being watched. Throughout we wanted to not show the victim straight away to the audience and the greatness of it is that the twist ending finally reveals it all.
Beginning
It begins with an image of Sarah's hand focusing on the jewellery. It was compulsory and we felt it would be best showing the ambiguity of the plot. Also it immediately entices the audience to wonder who gave Sarah the ring?
Office
As Sarah is typing at the computer she looks directly into the stalkers eyes. This is creating a personal feel towards the film and allows the audience to be able to relate to the situation. The hand held camera is showing the realism, documentary house style we wanted to create.
Transition
There is a fade transition from "but good luck on your trip" is a motif transition shown throughout, it indicates the passage of time.
Train station scene
The train station and bird sound scene is also showing the pass of time through the stalker.
Voiceover train station
The voiceover was recorded on a zoom box which was to portray to the audience that the stalker was working away, but for people who haven't seen the film would expect him to be Sarah's husband. This scene is vital for reinforcing the titles relevance "AWAY".
The various shots of the train station, train board and the actual train it is creating the documentary art house style we were going for.
Letter scene
We placed the camera on a tripod and stood it on the table to create a birds eye shot of the letter. It emphasises the intensity of his obsession towards her. We chose to have a cup there in order to show the realism of the situation and create a casual and informal setting. The lighting was given off through using a lamp. We felt it created a calming atmosphere and the music emphasised that.
Gifts
The wrapping up of the gifts was included to stress his obsession he has for Sarah and the fade outs is prolonging the time and effort he goes to in order to express his love. The card has an ambiguous meaning as it could portray them when they were young? or expressing the romantic style?
New scene added
We received some audience feedback before the conversation between the stalker and Sarah was added. They felt we needed to add another scene showing them both communicating and the need to make the twist ending slowly revealed.
Letter
The zoom up on the word "Away" exaggerates the intensity he creates in this letter. Also makes the audience question who to sympathise with.
Looking into Sarah's life
The sudden interrupt of the letter being posted helps build up the second part to our film and separates the whole film from the stalkers life.
The look into Sarah's every day life activities as simple as pouring a cup of tea is beginning to open up Sarah's normality.
The phone shot is revealing the contact they have with each other and is
Cafeteria scene
It is shown through the stalkers eyes as he is watching Sarah having a conversation with her friend. This is a vital part revealing Sarah does not feel the same and is feeling threatened by these gifts,texts etc.
Answering phone message
I recorded the voiceover which is another later scene added to show clearly the rejection and desperation the stalker is going through to contact her.
Outside
There is a diegetic sound of stalker breathing. It really creates tension and meets the requirements for our genre, also the use of the baby fits in well with the target audience 16-35.
Baby scene
The close-up on Sarah's face is showing her as a caring mother and this scene allows the audience to create sympathy.
Stalker shown
Sarah is really emphasised as the victim and when the stalker is fully revealed through the framework. It is creating a build up of tension and the choice of the framework when Sarah believes she sees someone is effective as it hides him.
Owl
The owl is showing passage of time but is quite a conventional style sound when creating a creepy scene.
Flashbacks
The flashbacks gives the audience different perceptions on what they believe has actually occurred in the flashbacks and what isn't real. The ambiguity throughout does meet the psychological thriller genre as it builds up tension.
The final bed scene
This scene is when all is revealed but still we leave questions to the audience throughout. Questions such as; did she overdose? suicide? murder? has the stalker drugged her? or is she innocently sleeping?